Professor Ros Ballaster possesses a continuing interest in the representation and construction of the engagement with story as an ethical experience from the late seventeenth century to the mid nineteenth century, especially in the popular novel and in the theatre. She is working to develop a project which will pay attention to the interaction with and role of the theatre in the invention of the ‘novel’ over this period. Her intention here would not simply be to consider the use of novel plots as sources for plays but the presence of theatrical models of character, action and affect in the novel of the long eighteenth century, apprenticeships and continuing engagements with the theatre by more or less successful novelists. A related project concerns Professor Ballaster's attempt to construct a history of the idea of ‘candid’ (as opposed to ‘skeptical’) reading in literary, political and popular writings over the same period. She is interested in supervising doctoral students working in eighteenth-century women's writing, the fiction of fantasy in the same period (oriental fiction, fairy tales), the early novel.
|1||Why should we study Johnson?||
Professor Ros Ballaster of Mansfield College, Oxford, discusses her current research and...
|Ros Ballaster, Sarah Wilkin|
|2||Oriental Tales and Their Influence||
Prof. Warner and Prof. Ballaster begin their conversation with Antoine Galland's...
|Ros Ballaster, Marina Warner|
|3||The Lure of the East: the Oriental and Philosophical Tale in Eighteenth-Century England||
Professor Ros Ballaster discusses the objectives of oriental tales published in the second half...
|1||Key works on the oriental tale. Recommended references||
A short bibliography of modern critical works
|2||The Passion for Tales: an Introduction to Ros Ballaster’s Fabulous Orients (2005)||
Ros Ballaster writing about her book Fabulous Orients and Fables of the East,...
|3||Fakiry: The Oriental Tale||
In 1908, Martha Pike Conant commented that:
"Historians of English fiction have...